I recall a SAORI kai (gathering) at loop of the loom studio in NYC that I attended several years ago. People had talked about Wabi-sabi as an element of SAORI weaving. I remembered that I was confused by how people understood Wabi-sabi because it didn’t sound the same as my understanding. Then I happened to watch this Japanese TV show called “Cool Japan” a week ago on Youtube. In this show several foreigners who were living in Japan discussed about different aspects of Japanese culture and this particular show focused on Wabi-sabi. It was very interesting. It made me think more deeply about Wabi-sabi, Japanese beauty. It’s true that it’s hard for a person to analyse its own culture because he/she feels that he/she gets it while he/she is living in it and he/she never has had time to define it with words. I felt exactly like that.
Wikipedia says, Wabi-sabi represents a comprehensive Japanese world view or aesthetic centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”. It is a concept derived from the Buddhist teaching of the three marks of existence , specifically impermanence , the other two being suffering and emptiness or absence of self-nature .
Then it continues, Characteristics of the wabi-sabi aesthetic include asymmetry, asperity (roughness or irregularity), simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes.
Naturally SAORI weaving fits in this category! Misao Jo is clearly influenced by Zen Buddhism principle.
My weaving has still my ego in it in many levels. That’s why I keep pursuing my practice to remove that and keep trying to weave with Mu-shin (absence of self-nature). Misao said SAORI is a weaving with Mushin.
The show is about 44 minutes. I recommend anyone to watch when you have time.